The evening was pitch dark: star
and moon were quenched in gray rain-clouds - gray they would have
been by day; by night they looked sable. Malone was not a man given
to close observation of nature; her changes passed, for the most
part, unnoticed by him. He could walk miles on the most varying
April day and never see the beautiful dallying of earth and heaven
- never mark when a sunbeam kissed the hill-tops, making them smile
clear in green light, or when a shower wept over them, hiding their
crests With the low-hanging, dishevelled tresses of a cloud. He did
not, therefore, care to contrast the sky as it now appeared - a
muffled, streaming vault, all black, save where, towards the east,
the furnaces of Stilbro' ironworks threw a tremulous lurid shimmer
on the horizon - with the same sky on an unclouded frosty night He
did not trouble himself to ask where the constellations and the
planets were gone, or to regret the 'black-blue' serenity of the
air-ocean which those white islets stud, and which another ocean,
of heavier and denser element, now rolled below and concealed. He
just doggedly pursued his way, leaning a little forward as he
walked, and wearing his hat on the back of his head, as his Irish
manner was. 'Tramp, tramp,' he went along the causeway, where the
road boasted the privilege of such an accommodation; 'splash,
splash,' through the mire-filled cart ruts, where the flags were
exchanged for soft mud. He looked but for certain landmarks - the
spire of Briarfield Church; farther on, the lights of Redhouse.
This was an inn; and when he reached it, the glow of a fire through
a half-curtained window, a vision of glasses on a round table, and
of revellers on an oaken settle, had nearly drawn aside the curate
from his course. He thought longingly of a tumbler of
whisky-and-water. In a strange place he would instantly have
realised the dream; but the company assembled in that kitchen were
Mr. Helstone's own parishioners; they all knew him. He sighed, and
passed on.
The highroad was now to be quitted, as the remaining distance to
Hollow's Mill might be considerably reduced by a short cut across
fields. These fields were level and monotonous. Malone took a
direct course through them, jumping hedge and wall. He passed but
one building here, and that seemed large and hall- like, though
irregular. You could see a high gable, then a long front, then a
low gable, then a thick, lofty stack of chimneys. There were some
trees behind it. It was dark; not a candle shone from any window.
It was absolutely still; the rain running from the eaves, and the
rather wild but very low whistle of the wind round the chimneys and
through the boughs were the sole sounds in its neighbourhood.
This building passed, the fields, hitherto flat, declined in a
rapid descent Evidently a vale lay below, through which you could
hear the water run. One light glimmered in the depth. For that
beacon Malone steered.
He came to a little white house - you could see it was white
even through this dense darkness - and knocked at the door. A
fresh-faced servant opened it. By the candle she held was revealed
a narrow passage, terminating in a narrow stair. Two doors covered
with crimson baize, a strip of crimson carpet down the steps,
contrasted with light-coloured walls and white floor, made the
little interior look clean and fresh.
'Mr. Moore is at home, I suppose?'
'Yes, sir, but he is not in?'
'Not in! Where is he then?'
'At the mill - in the counting-house.'
Here one of the crimson doors opened.
'Are the wagons come, Sarah?' asked a female voice, and a female
head at the same time was apparent It might not be the head of a
goddess - indeed a screw of curl-paper on each side the temples
quite forbade that supposition - but neither was it the head of a
Gorgon; yet Malone seemed to take it in the latter light. Big as he
was, he shrank bashfully back into the rain at the view thereof;
and saying, 'I'll go to him,' hurried in seeming trepidation down a
short lane, across an obscure yard, towards a huge black mill.
The work-hours were over; the 'hands' were gone. The machinery
was at rest, the mill shut up. Malone walked round it somewhere in
its great sooty flank he found another chink of light; he knocked
at another door, using for the purpose the thick end of his
shillelah, with which he beat a rousing tattoo. A key turned; the
door unclosed.
'Is it Joe Scott? What news of the wagons, Joe?'
'No; it's myself. Mr. Helstone would send me.'
'Oh! Mr. Malone.' The voice in uttering this name had the
slightest possible cadence of disappointment. After a moment's
pause it continued, politely but a little formally, --
'I beg you will come in, Mr. Malone. I regret extremely Mr.
Helstone should have thought it necessary to trouble you so far.
There was no necessity - I told him so - and on such a night; but
walk forwards.'
Through a dark apartment, of aspect undistinguishable, Malone
followed the speaker into a light and bright room within - very
light and bright indeed it seemed to eyes which, for the last hour,
had been striving to penetrate the double darkness of night and
fog; but except for its excellent fire, and for a lamp of elegant
design and vivid lustre burning on a table, it was a very plain
place. The boarded floor was carpetless; the three or four
stiff-backed, green-painted chairs seemed once to have furnished
the kitchen of some farm-house; a desk of strong, solid formation,
the table aforesaid, and some framed sheets on the stone-coloured
walls, bearing plans for building, for gardening, designs of
machinery, etc., completed the furniture of the place.
Plain as it was, it seemed to satisfy Malone, who, when he had
removed and hung up his wet surtout and hat, drew one of the
rheumatic-looking chairs to the hearth, and set his knees almost
within the bars of the red grate.
'Comfortable quarters you have here, Mr. Moore; and all snug to
yourself.'
'Yes; but my sister would be glad to see you, if you would
prefer stepping into the house.'
'Oh no! The ladies are best alone. I never was a lady's man. You
don't mistake me for my friend Sweeting, do you, Mr. Moore?'
'Sweeting! Which of them is that? The gentleman in the chocolate
overcoat, or the little gentleman?'
'The little one - he of Nunnely; the cavalier of the Misses
Sykes, with the whole six of whom he is in love, ha! ha!'
'Better be generally in love with all than especially with one,
I should think, in that quarter.'
'But he is specially in love with one besides, for when I and
Donne urged him to make a choice amongst the fair bevy, he named -
which do you think?'
With a queer, quiet smile Mr. Moore replied, 'Dora, of course,
or Harriet'
'Ha! ha! you've an excellent guess. But what made you hit on
those two?'
'Because they are the tallest, the handsomest, and Dora, at
least, is the stoutest; and as your friend Mr. Sweeting is but a
little slight figure, I concluded that, according to a frequent
rule in such cases, he preferred his contrast.'
'You are right; Dora it is. But he has no chance, has he,
Moore?'
'What has Mr. Sweeting besides his curacy?'
This question seemed to tickle Malone amazingly. He laughed for
full three minutes before he answered it.
'What has Sweeting? Why, David has his harp, or flute, which
comes to the same thing. He has a sort of pinchbeck watch; ditto,
ring; ditto, eyeglass. That's what he has.'
'How would he propose to keep Miss Sykes in gowns only?'
'Ha! ha! Excellent! I'll ask him that next time I see him. I'll
roast him for his presumption. But no doubt he expects old
Christopher Sykes would do something handsome. He is rich, is he
not? They live in a large house.'
'Sykes carries on an extensive concern.'
'Therefore he must be wealthy, eh?'
'Therefore he must have plenty to do with his wealth, and in
these times would be about as likely to think of drawing money from
the business to give dowries to his daughters as I should be to
dream of pulling down the cottage there, and constructing on its
ruins a house as large as Fieldhead.'
'Do you know what I heard, Moore, the other day?'
'No. Perhaps that I was about to effect some such change. Your
Briarfield gossips are capable of saying that or sillier
things.'
'That you were going to take Fieldhead on a lease (I thought it
looked a dismal place, by-the-bye, to-night, as I passed it), and
that it was your intention to settle a Miss Sykes there as mistress
- to be married, in short, ha! ha! Now, which is it? Dora, I am
sure. You said she was the handsomest'
'I wonder how often it has been settled that I was to be married
since I came to Briarfield. They have assigned me every
marriageable single woman by turns in the district. Now it was the
two Misses Wynns - first the dark, then the light one; now the
red-haired Miss Armitage, then the mature Ann Pearson. At present
you throw on my shoulders all the tribe of the Misses Sykes. On
what grounds this gossip rests God knows. I visit now here; I seek
female society about as assiduously as you do, Mr. Malone. If ever
I go to Whinbury, it is only to give Sykes or Pearson a call in
their counting-house, where our discussions run on other topics
than matrimony, and our thoughts are occupied with other things
than courtships, establishments, dowries. The cloth we can't sell,
the hands we can't employ, the mills we can't run, the perverse
course of events generally, which we cannot alter, fill our hearts,
I take it, pretty well at present, to the tolerably complete
exclusion of such figments as lovemaking, etc.'
'I go along with you completely, Moore. If there is one notion I
hate more than another, it is that of marriage - I mean marriage in
the vulgar weak sense, as a mere matter of sentiment - two beggarly
fools agreeing to unite their indigence by some fantastic tie of
feeling. Humbug! But an advantageous connection, such as can be
formed in consonance with dignity of views and permanency of solid
interests, is not so bad - eh?'
'No,' responded Moore, in an absent manner. The subject seemed
to have no interest for him; he did not pursue it. After sitting
for some time gazing at the fire with a preoccupied air, he
suddenly turned his head.
'Hark!' said he. 'Did you hear wheels?'
Rising, he went to the window, opened it, and listened. He soon
closed it. 'It is only the sound of the wind rising', he remarked,
'and the rivulet a little swollen, rushing down the hollow. I
expected those wagons at six; it is near nine now.'
'Seriously, do you suppose that the putting up of this new
machinery will bring you into danger?' inquired Malone. 'Helstone
seems to think it will.'
'I only wish the machines - the frames - were safe here, and
lodged within the walls of this mill. Once put up, I defy the
frame-breakers. Let them only pay me a visit and take the
consequences. My mill is my castle.'
'One despises such low scoundrels,' observed Malone, in a
profound vein of reflection. 'I almost wish a party would call upon
you to-night; but the road seemed extremely quiet as I came along.
I saw nothing astir.'
'You came by the Redhouse?'
'Yes.'
'There would be nothing on that road. It is in the direction of
Stilbro' the risk lies.'
'And you think there is risk?'
'What these fellows have done to others they may do to me. There
is only this difference: most of the manufacturers seem paralysed
when they are attacked. Sykes, for instance, when his dressing-shop
was set on fire and burned to the ground, when the cloth was torn
from his tenters and left in shreds in the field, took no steps to
discover or punish the miscreants: he gave up as tamely as a rabbit
under the jaws of a ferret. Now I, if I know myself, should stand
by my trade, my mill, and my machinery.'
'Helstone says these three are your gods; that the "Orders in
Council" are with you another name for the seven deadly sins; that
Castlereagh is your Antichrist, and the war-party his legions.'
'Yes; I abhor all these things because they ruin me. They stand
in my way. I cannot get on. I cannot execute my plans because of
them. I see myself baffled at every turn by their untoward
effects.'
'But you are rich and thriving, Moore?'
'I am very rich in cloth I cannot sell. You should step into my
warehouse yonder, and observe how it is piled to the roof with
pieces. Roakes and Pearson are in the same condition. America used
to be their market, but the Orders in Council have cut that
off.'
Malone did not seem prepared to carry on briskly a conversation
of this sort. He began to knock the heels of his boots together,
and to yawn.
'And then to think,' continued Mr. Moore, who seemed too much
taken up with the current of his own thoughts to note the symptoms
of his guest's ennui - to think that these ridiculous gossips of
Whinbury and Briarfield will keep pestering one about being
married! As if there was nothing to be done in life but to "pay
attention," as they say to some young lady, and then to go to
church with her, and then to start on a bridal tour and then to run
through a round of visits, and then, I suppose, to be "having a
family." Oh, que le diable emporte!' He broke off the aspiration
into which he was launching with a certain energy, and added, more
calmly, 'I believe women talk and think only of these things, and
they naturally fancy men's minds similarly occupied.'
'Of course - of course,' assented Malone; 'but never mind them.'
And he whistled, looked impatiently round, and seemed to feel a
great want of something. This time Moore caught and, it appeared,
comprehended his demonstrations.
'Mr. Malone,' said he, 'you must require refreshment after your
wet walk. I forget hospitality.'
'Not at all,' rejoined Malone; but he looked as if the right
nail was at last hit on the head, nevertheless. Moore rose and
opened a cupboard.
'It is my fancy,' said he, 'to have every convenience within
myself, and not to be dependent on the femininity in the cottage
yonder for every mouthful I eat or every drop I drink. I often
spend the evening and sup here alone, and sleep with Joe Scott in
the mill. Sometimes I am my own watchman. I require little sleep,
and it pleases me on a fine night to wander for an hour or two with
my musket about the hollow. Mr. Malone, can you cook a mutton
chop?'
'Try me. I've done it hundreds of times at college.'
'There's a dishful, then, and there's the gridiron. Turn them
quickly. You know the secret of keeping the juices in?'
'Never fear me; you shall see. Hand a knife and fork,
please.'
The curate turned up his coat-cuffs, and applied himself to the
cookery with vigour. The manufacturer placed on the table plates, a
loaf of bread, a black bottle, and two tumblers. He then produced a
small copper kettle - still from the same well-stored recess, his
cupboard - filled it with water from a large stone jar in a corner,
set it on the fire beside the hissing gridiron, got lemons, sugar,
and a small china punch-bowl; but while he was brewing the punch a
tap at the door called him away.
'Is it you, Sarah?'
'Yes, sir. Will you come to supper, please, sir?'
'No; I shall not be in to-night; I shall sleep in the mill. So
lock the doors, and tell your mistress to go to bed.'
He returned.
'You have your household in proper order,' observed Malone
approvingly, as, with his fine face ruddy as the embers over which
he bent, he assiduously turned the mutton chops. 'You are not under
petticoat government, like poor Sweeting, a man - whew! how the fat
spits! it has burnt my hand - destined to be ruled by women. Now
you and I, Moore - there's a fine brown one for you, and full of
gravy - you and I will have no gray mares in our stables when we
marry.'
'I don't know; I never think about it. If the gray mare is
handsome and tractable, why not?'
'The chops are done. Is the punch brewed?'
'There is a glassful. Taste it. When Joe Scott and his minions
return they shall have a share of this, provided they bring home
the frames intact.'
Malone waxed very exultant over the supper. He laughed aloud at
trifles, made bad jokes and applauded them himself, and, in short,
grew unmeaningly noisy. His host, on the contrary, remained quiet
as before. It is time, reader, that you should have some idea of
the appearance of this same host I must endeavour to sketch him as
he sits at table.
He is what you would probably call, at first view, rather a
strange-looking man; for he is thin, dark, sallow, very foreign of
aspect, with shadowy hair carelessly streaking his forehead. It
appears that he spends but little time at his toilet, or he would
arrange it with more taste. He seems unconscious that his features
are fine, that they have a southern symmetry, clearness, regularity
in their chiselling; nor does a spectator become aware of this
advantage till he has examined him well, for an anxious
countenance, and a hollow, somewhat haggard, outline of lace
disturb the idea of beauty with one of care. His eyes are large,
and grave, and gray; their expression is intent and meditative,
rather searching than soft, rather thoughtful than genial. when he
parts his lips in a smile, his physiognomy is agreeable - not that
it is frank or cheerful even then, but you feel the influence of a
certain sedate charms, suggestive, whether truly or delusively, of
a considerate, perhaps a kind nature, of feelings that may wear
well at home - patient, forbearing, possibly faithful feelings. He
is still young - not more than thirty; his stature is tall, his
figure slender. His manner of speaking displeases. He has an
outlandish accent, which, notwithstanding a studied carelessness of
pronunciation and diction, grates on a British, and especially on a
Yorkshire, ear.
Mr. Moore, indeed, was but half a Briton, and scarcely that. He
came of a foreign ancestry by the mother's side, and was himself
born and partly reared on a foreign soil. A hybrid in nature, it is
probable he had a hybrid's feeling on many points - patriotism for
one; it is likely that he was unapt to attach himself to parties,
to sects, even to climes and customs; it is not impossible that he
had a tendency to isolate his individual person from any community
amidst which his lot might temporarily happen to be thrown, and
that he felt it to be his best wisdom to push the interests of
Robert Gérard Moore, to the exclusion of philanthropic
consideration for general interests, with which he regarded the
said Gérard Moore as in a great measure disconnected. Trade was Mr.
Moore's hereditary calling: the Gérards of Antwerp had been
merchants for two centuries back. Once they had been wealthy
merchants; but the uncertainties, the involvements, of business had
come upon them; disastrous speculations had loosened by degrees the
foundations of their credit. The house had stood on a tottering
base for a dozen years; and at last, in the shock of the French
Revolution, it had rushed down a total ruin. In its fall was
involved the English and Yorkshire firm of Moore, closely connected
with the Antwerp house, and of which one of the partners, resident
in Antwerp, Robert Moore, had married Hortense Gérard, with the
prospect of his bride inheriting her father Constantine Gérard's
share in the business. She inherited, as we have seen, but his
share in the liabilities of the film; and these liabilities, though
duly set aside by a composition with creditors, some said her son
Robert accepted, in his turn, as a legacy, and that he aspired one
day to discharge them, and to rebuild the fallen house of Gérard
and Moore on a scale at least equal to its former greatness. It was
even supposed that he took bypast circumstances much to heart; and
if a childhood passed at the side of a saturnine mother, under
foreboding of coming evil, and a manhood drenched and blighted by
the pitiless descent of the storm, could painfully impress the
mind, his probably was impressed in no golden characters.
If, however, he had a great end of restoration in view it was
not in his power to employ great means for its attainment He was
obliged to be content with the day of small things. When he came to
Yorkshire he - whose ancestors had owned warehouses in this seaport
and factories in that inland town, had possessed their town-house
and their country-seat - saw no way open to him but to rent a
cloth-mill, in an out-of-the-way nook of an out-of-the-way
district; to take a cottage adjoining it for his residence, and to
add to his possessions, as pasture for his horse, and space for his
cloth-tenters, a few acres of the steep, rugged land that lined the
hollow through which his mill-stream brawled. All this he held at a
somewhat high rent (for these war times were hard and everything
was dear) of the trustees of the Fieldhead estate, then the
property of a minor.
At the time this history commences, Robert Moore had lived but
two years in the district, during which period he had at least
proved himself possessed of the quality of activity. The dingy
cottage was converted into a neat; tasteful residence. Of part of
the rough land he had made garden-ground, which he cultivated with
singular, even with Flemish, exactness and care. As to the mill,
which was an old structure, and fitted up with old machinery, now
become inefficient and out of date, he had from the first evinced
the strongest contempt for all its arrangements and appointments:
his aim had been to effect a radical reform, which he had executed
as fast as his very limited capital would allow; and the narrowness
of that capital, and consequent check on his progress, was a
restraint which galled his spirit sorely. Moore ever wanted to push
on. 'Forward' was the device stamped upon his soul; but poverty
curbed him. Sometimes (figuratively) he foamed at the mouth when
the reins were drawn very tight.
In this state of feeling, it is not to be expected that he would
deliberate much as to whether his advance was or was not
prejudicial to others. Not being a native, nor for any length of
time a resident of the neighbourhood, he did not sufficiently care
when the new inventions threw the old workpeople out of employ. He
never asked himself where those to whom he no longer paid weekly
wages found daily bread; and in this negligence he only resembled
thousands besides, on whom the starving poor of Yorkshire seemed to
have a closer claim.
The period of which I write was an overshadowed one in British
history, and especially in the history of the northern provinces.
War was then at its height. Europe was all involved therein.
England, if not weary, was worn with long resistance - yes, and
half her people were weary too, and cried out for peace on any
terms. National honour was become a mere empty name, of no value in
the eyes of many, because their sight was dim with famine; and for
a morsel of meat they would have sold their birthright.
The 'Orders in Council,' provoked by Napoleon's Milan and Berlin
decrees, and forbidding neutral powers to trade with France, had,
by offending America, cut off the principal market of the Yorkshire
woollen trade, and brought it consequently to the verge of ruin.
Minor foreign markets were glutted, and would receive no more. The
Brazils, Portugal, Sicily, were all overstocked by nearly two
years' consumption. At this crisis certain inventions in machinery
were introduced into the staple manufactures of the north, which,
greatly reducing the number of hands necessary to be employed,
threw thousands out of work, and left them without legitimate means
of sustaining life. A bad harvest supervened. Distress reached its
climax. Endurance, overgoaded, stretched the hand of fraternity to
sedition. The throes of a sort of moral earthquake were felt
heaving under the hills of the northern counties. But, as is usual
in such cases, nobody took much notice. when a food-riot broke out
in a manufacturing town, when a gig-mill was burnt to the ground,
or a manufacturer's house was attacked, the furniture thrown into
the streets, and the family forced to flee for their lives, some
local measures were or were not taken by the local magistracy. A
ringleader was detected, or more frequently suffered to elude
detection; newspaper paragraphs were written on the subject, and
there the thing stopped. As to the sufferers, whose sole
inheritance was labour, and who had lost that inheritance - who
could not get work, and consequently could not get wages, and
consequently could not get bread - they were left to suffer on,
perhaps inevitably left. It would not do to stop the progress of
invention, to damage science by discouraging its improvements; the
war could not be terminated; efficient relief could not be raised.
There was no help then; so the unemployed underwent their destiny -
ate the bread and drank the waters of affliction.
Misery generates hate. These sufferers hated the machines which
they believed took their bread from them; they hated the buildings
which contained those machines; they hated the manufacturers who
owned those buildings. In the parish of Briarfield, with which we
have at present to do, Hollow's Mill was the place held most
abominable; Gérard Moore, in his double character of semi-foreigner
and thorough going progressist, the man most abominated. And it
perhaps rather agreed with Moore's temperament than otherwise to be
generally hated, especially when he believed the thing for which he
was hated a right and an expedient thing; and it was with a sense
of warlike excitement he, on this night, sat in his counting-house
waiting the arrival of his frame-laden wagons. Malone's coming and
company were, it may be, most unwelcome to him. He would have
preferred sitting alone, for he liked a silent, sombre, unsafe
solitude. His watchman's musket would have been company enough for
him; the full-flowing beck in the den would have delivered
continuously the discourse most genial to his ear.
With the queerest look in the world had the manufacturer for
some ten minutes been watching the Irish curate, as the latter made
free with the punch, when suddenly that steady gray eye changed, as
if another vision came between it and Malone. Moore raised his
hand.
'Chut!' he said in his French fashion, as Malone made a noise
with his glass. He listened a moment, then rose, put his hat on,
and went out at the counting-house door.
The night was still, dark, and stagnant: the water yet rushed on
full and fast; its flow almost seemed a flood in the utter silence.
Moore's ear, however, caught another sound very distant but yet
dissimilar, broken and rugged - in short, a sound of heavy wheels
crunching a stony road. He returned to the counting-house and lit a
lantern, with which he walked down the mill-yard, and proceeded to
open the gates. The big wagons were coming on; the dray-horses'
huge hoofs were heard splashing in the mud and water. Moore hailed
them.
'Hey, Joe Scott! Is all right?'
Probably Joe Scott was yet at too great a distance to hear the
inquiry. He did not answer it.
'Is all right, I say?' again asked Moore, when the elephant-like
leader's nose almost touched his.
Some one jumped out from the foremost wagon into the road; a
voice cried aloud, 'Ay, ay, divil; all's raight! We've smashed
'em.'
And there was a run. The wagons stood still; they were now
deserted.
'Joe Scott!' No Joe Scott answered. 'Murgatroyd! Pighills!
Sykes!' No reply. Mr. Moore lifted his lantern and looked into the
vehicles. There was neither man nor machinery; they were empty and
abandoned.
Now Mr. Moore loved his machinery. He had risked the last of his
capital on the purchase of these frames and shears which to-night
had been expected. Speculations most important to his interests
depended on the results to be wrought by them: where were they?
The words 'we've smashed 'em' rang in his ears. How did the
catastrophe affect him? By the light of the lantern he held were
his features visible, relaxing to a singular smile - the smile the
man of determined spirit wears when he reaches a juncture in his
life where this determined spirit is to feel a demand on its
strength, when the strain is to be made, and the faculty must bear
or break. Yet he remained silent, and even motionless; for at the
instant he neither knew what to say nor what to do. He placed the
lantern on the ground, and stood with his arms folded, gazing down
and reflecting.
An impatient trampling of one of the horses made him presently
look up. His eye in the moment caught the gleam of something white
attached to a part of the harness. Examined by the light of the
lantern this proved to be a folded paper - a billet. It bore no
address without; within was the superscription: --
'To the Divil of Hollow's-miln.'
We will not copy the rest of the orthography, which was very
peculiar, but translate it into legible English. It ran thus:
'Your hellish machinery is shivered to smash on Stilbro' Moor,
and your men are lying bound hand and foot in a ditch by the
roadside. Take this as a warning from men that are starving, and
have starving wives and children to go home to when they have done
this deed. If you get new machines, or if you otherwise go on as
you have done, you shall hear from us again. Beware!'
'Hear from you again? Yes, I'll hear from you again, and you
shall hear from me. I'll speak to you directly. On Stilbro' Moor
you shall hear from me in a moment.'
Having led the wagons within the gates, he hastened towards the
cottage. Opening the door, he spoke a few words quickly but quietly
to two females who ran to meet him in the passage. He calmed the
seeming alarm of one by a brief palliative account of what had
taken place; to the other he said, 'Go into the mill, Sarah - there
is the key - and ring the mill-bell as loud as you can. Afterwards
you will get another lantern and help me to light up the
front.'
Returning to his horses, he unharnessed, fed, and stabled them
with equal speed and care, pausing occasionally, while so occupied,
as if to listen for the mill-bell. It clanged out presently, with
irregular but loud and alarming din. The hurried, agitated peal
seemed more urgent than if the summons had been steadily given by a
practised hand. On that still night, at that unusual hour, it was
heard a long way round. The guests in the kitchen of the Redhouse
were startled by the clamour, and declaring that 'there must be
summat more nor common to do at Hollow's-miln,' they called for
lanterns, and hurried to the spot in a body. And scarcely had they
thronged into the yard with their gleaming lights, when the tramp
of horses was heard, and a little man in a shovel hat, sitting
erect on the back of a shaggy pony, 'rode lightly in,' followed by
an aide-de-camp mounted on a larger steed.
Mr. Moore, meantime, after stabling his dray-horses, had saddled
his hackney, and with the aid of Sarah, the servant, lit up his
mill, whose wide and long front now glared one great illumination,
throwing a sufficient light on the yard to obviate all fear of
confusion arising from obscurity. Already a deep hum of voices
became audible. Mr. Malone had at length issued from the
counting-house, previously taking the precaution to dip his head
and face in the stone water-jar; and this precaution, together with
the sudden alarm, had nearly restored to him the possession of
those senses which the punch had partially scattered. He stood with
his hat on the back of his head, and his shillelah grasped in his
dexter fist answering much at random the questions of the
newly-arrived party from the Redhouse. Mr. Moore now appeared, and
was immediately confronted by the shovel hat and the shaggy
pony.
'Well, Moore, what is your business with us?' I thought you
would want us to-night - me and the hetman here (patting his pony's
neck), and Tom and his charger. when I heard your mill-bell I could
sit still no longer, so I left Boultby to finish his supper alone.
But where is the enemy? I do not see a mask or a smutted face
present; and there is not a pane of glass broken in your windows.
Have you had an attack, or do you expect one?'
'Oh, not at all! I have neither had one nor expect one,'
answered Moore coolly. 'I only ordered the bell to be rung because
I want two or three neighbours to stay here in the Hollow while I
and a couple or so more go over to Stilbro' Moor.'
'To Stilbro' Moor! What to do? To meet the wagons?'
'The wagons are come home an hour ago.'
'Then all's right. what more would you have?'
'They came home empty; and Joe Scott and company are left on the
moor, and so are the frames. Read that scrawl.'
Mr. Helstone received and perused the document of which the
contents have before, been given.
'Hum! They've only served you as they serve others. But,
however, the poor fellows in the ditch will be expecting help with
some impatience. This is a wet night for such a berth. I and Tom
will go with you. Malone may stay behind and take care of the mill:
what is the matter with him? His eyes seem starting out of his
head.'
'He has been eating a mutton chop.'
'Indeed! - Peter Augustus, be on your guard. Eat no more mutton
chops to-night. You are left here in command of these premises - an
honourable post!'
'Is anybody to stay with me?'
'As many of the present assemblage as choose. My lads, how many
of you will remain here, and how many will go a little way with me
and Mr. Moore on the Stilbro' road, to meet some men who have been
waylaid and assaulted by frame-breakers?'
The small number of three volunteered to go; the rest preferred
staying behind. As Mr. Moore mounted his horse the rector asked him
in a low voice whether he had locked up the mutton chops, so that
Peter Augustus could not get at them? The manufacturer nodded an
affirmative, and the rescue-party set out.